Kriti Sanon Says Roles Written For Women Are Meatier Now: No Longer Seen Through A Man's Lens

Kriti Sanon sees a clear change in how Hindi films treat women on screen, and personal success strengthens that view. The actor has gained praise for recent choices, while also speaking about how female‑led stories now draw audiences. For Kriti Sanon, stronger writing for women links directly to box office returns and growing confidence among actors choosing such scripts.

Once known mainly for mainstream entertainment, Kriti Sanon now balances commerce and performance with care. The actor selects material that allows range, emotional depth, and space to lead narratives. Industry watchers point out that Kriti Sanon delivers both star presence and believable characters, which helps projects appeal to different audience groups across India.

Kriti Sanon and changing roles for women in cinema

Reflecting on the broader shift, Kriti Sanon said, "The roles that are written for women are meatier now; they are no longer seen through a man's lens" Says Kriti Sanon. The line mirrors what many viewers feel about recent Hindi films, where women drive plots instead of remaining side characters supporting male journeys.

In a longer reflection on this change, Kriti Sanon shared, "We have made considerable progress, the roles that are written for women are meatier now; they are no longer seen through a man's lens. Women artists are also picking meatier roles; not just the coy, damsel in distress roles, they are not afraid to lead a film and such movies are doing well at the box office, and all this gives us more confidence to essay such roles. I myself tend to get attracted to strong characters that have an identity of their own. For instance, in Tere Ishk Mein, the character Mukti was not all white or black; she had shades of grey. I got excited about a project like Do Patti also because I felt it had so many shades to both characters."

Kriti Sanon, Tere Ishk Mein and upcoming films

Recent work has highlighted this approach. Kriti Sanon’s film Tere Ishk Mein brought attention to the character Mukti, written with conflicting impulses and moral greys. Critics and audiences responded to that complexity. Many reviews noted how Kriti Sanon shifted between vulnerability and steel, creating a performance that felt grounded and specific.

Her interest in layered parts extends to other projects. Discussing personal taste, Kriti Sanon stated, "I myself tend to get attracted to strong characters that have an identity of their own" Says Kriti Sanon. That preference helps explain enthusiasm for Do Patti, where both central roles carry several emotional shades rather than neat hero or villain labels.

Industry observers often point to how consistently Kriti Sanon manages risk and reach. The actor maintains strong box office presence while still choosing scripts that challenge comfort zones. Films like Tere Ishk Mein show this balance: a commercially viable setup paired with a demanding role that needs careful emotional control across many scenes.

Looking ahead, Kriti Sanon is preparing to front Cocktail 2, which already draws attention due to the original film’s legacy. With each new project, Kriti Sanon adds to a filmography defined by evolving choices and tougher roles. The recent run, including Tere Ishk Mein and Do Patti, signals continued interest in stories where female characters carry the narrative centre.